Showing posts with label art on paper. Show all posts
Showing posts with label art on paper. Show all posts

Sunday, September 2, 2018

Lab Magazine

LAB      

Color + space + data.


What’s in LAB 4? Visual narratives. Color palettes. Big Data meets storytelling. Travel data as jewelry. City planning insights from data visuals. What else? Andy Gilmore’s explorations of color and shape. Advice from Matt Shlian: “Do what you love and fuck the rest.” Francesca Pastine reconstructs the cover of ArtForum, while Ian Lynam and Cassidy Curtis discuss street art and color-letter synaesthesia. Hyperrealistic oil paintings, typographic tattoos, and 600 sunrises from the top of Mt Fuji.


LAB issue 4 Labor of love

PURCHASE 










Deconstruct, Reconstruct
Francesca Pastine

Back Cover, Francesca Pastine, Cut LAB magazine

Artforum Collaboration, Francesca Pastine


Wednesday, September 21, 2016

Please Join me at Eleanor Harwood Gallery Saturday for CURIOSITY

CURIOSITY


January 7 - February 25, 2017
 
Opening reception: Saturday,
January 7 from 6 - 8pm

Eleanor Harwood Gallery
1275 Minnesota Street, Suite 206
San Francisco, CA 94107


 

Francesca Pastine strives to evoke the Romantic notion of the artist as explorer navigating vast realms of possibility. Inspired by NASA’s Mars Rover, Curiosity, and its exploration of uncharted territory on Mars, her work offers a contemporary take on the notion of Sublime, a key theme in eighteenth- and nineteenth-century American art. Pastine was drawn to the rover because it is named “Curiosity” and she believes that being curious is an essential element of being an artist. Like the Mars Rover, the artist as explorer seeks to go beyond her limits and to make visible the vast landscape of her imagination.

Pastine probes the potential of material and its transformation through chance and discovery. The unpredictability of the watercolor medium allows for inspired accidents; her sculpture is informed by unexpected juxtaposition and unique contradictions. The paintings appear as otherworldly landscapes and employ visual voids and veils to represent sites of artistic ferment, the imagination, and revelation. The sculptures represent vessels and, like the rover, are of a crudeness that belies the sophistication essential for the exploration of unmapped terrain.

Saturday, March 7, 2015

art on paper review

Happy to be mentioned in Hyperallergic's article on the art on paper fair

Art on Paper Joins the Armory Week Fold

Art on Paper
Puppets by Wayne White at Art on Paper, which were part of the 2014 ‘FOE’ installation at York College; cardboard, wood, and acrylic paint. Joshua Liner Gallery, New York. (all photos by the author for Hyperallergic)
Despite Art on Paper‘s name, the work on view at the first-time Armory Week fair includes as many different materials as at any other fair, with art created on paper and art inspired by paper on view.
Art on Paper
Exterior of Art on Paper at Pier 36, with a banner of a rabbit drawing by Dave Eggers at left. (click to enlarge)
The fair has a fantastic showpiece installation in the form of Wayne White‘s colossal cardboard cowboys, one of which towers just inside the main entrance at Pier 36 on the East River. They were originally on view at York College of Pennsylvania last year as giant puppets. Also greeting visitors is a giant banner of a rabbit drawn by Dave Eggers on the exterior of the pier — the author is showing his illustrations with San Francisco gallery Electric Works — and an indoor installation of giant paper airplanes by Michael Scoggins, who has more oversized, elementary school-inspired notebook paperwork with New York’s Freight + Volume.
Perhaps a little ironically for a fair about art that celebrates paper, quite a few artists on view destroyed paper objects — namely books — to make their work. Most of it is well-crafted, however. Francesca Pastine‘s mask made from an issue of Artforum, the X-Acto blades dangling like necklaces, is on view with San Francisco’s Eleanor Harwood Gallery, and Brian Dettmer‘s tower of sliced hardcovers reveals a collage of encyclopedia images in the booth of New York’s Jayne H. Baum Gallery.
While the major art cities of the US coasts are well represented at the fair, there are also galleries from Paris, Vienna, Baltimore, Toronto, and elsewhere that don’t often show in New York present. Art on Paper was launched by Art Market Productions, which runs other fairs around the United States like Miami Project, Texas Contemporary, and Seattle Art Fair. If it sticks around for another year, it has the potential to fold some new regional flavor into the Armory Week fair frenzy.
Art on Paper
Francesca Pastine, “ARTFORUM 53, Mgulu Rgulu, Mask Series” (2014), cut Artforum magazine, plexiglas, wood, screws strings, x-acto blades. To the left is an ink on paper work by Paul Wackers. Eleanor Harwood Gallery, San Francisco.
Art on Paper
Michael Scoggins, “Dogfight” (2014), paper planes; presented by Freight + Volume, New York
Art on Paper
Art by Michael Scoggins, graphite and pencil on paper; Freight + Volume, New York
Art on Paper
Detail of Brian Dettmer’s “New Standards” (2015), hardcover books, acrylic varnish; Jayne H. Baum Gallery, New York
Art on Paper
Nathalia Edenmont, “Growing Up” (2012), c-print mounted on glass; Nancy Hoffman Gallery, New York
Art on Paper
Art by Federico Uribe made from books. Adelson Galleries, New York.
Art on Paper
Art by Federico Uribe made from books. Adelson Galleries, New York.
Art on Paper
Carolle Bénitah, “Le déguisement” (“The disguise”) (2009), archival pigment print with silk thread; Sous les Étoiles Gallery, New York
Art on Paper
Melanie Pullen, “Ghosts (The Haunted Series)” (2015), ink on paper; Jenkins Johnson Gallery, San Francisco/New York
Art on Paper
Sheridan Jones, “Coracus”; Rebecca Hossack Gallery, New York
Art on Paper
Eva Jospin, “Untitled” (2015), cut paper; LN Gallery, Paris
Art on Paper
Photographs by Adam Katseff; Sasha Wolf Gallery, New York
Art on Paper
Art by Katherine Bradford; Richard Levy Gallery, Albuquerque
Art on Paper
Detail of Diana Guerrero-Maciá, “Siblings of the Sun” (2015), series of 10 cut latex enamel & paper collage. Traywick Contemporary, Berkeley, California.
Art on Paper
Fair view of Art on Paper in Pier 36
Art on Paper continues through March 8 at Pier 36 (299 South Street, Lower East Side, Manhattan).