Showing posts with label francesca pastine. Show all posts

Tuesday, September 8, 2020

FALL 2020 CLASSES UC Berkeley Extension:

Be Well and Stay Safe! Francesca

My classes are designed to take your painting to the next level by asking you to consider what it means to be an artist. Organized like a laboratory, they encourage an exploration of art practices and art making specific to artistic maturation. You will explore a variety of approaches to painting, hone your technical painting skills, and look closer at contemporary painting practices. You will increase your familiarity with art history and concepts of contemporary art specific to painting through in-class lectures, local museum and gallery visits and image presentations. My goal is to aid you to make painting a valuable part of your life that leads to personal expression as well as a foundation to build upon in your future artistic/academic pursuits.

Collage: The Art of Sustainability ART X423.1

The relevance and importance of sustainable artistic practices grows clearer with the planet on the edge of a global calamity after a century of unchecked production and consumption. Collage offers a way to promote socially responsible art by reusing the already-existing ephemera all around us. Illustrated lectures introduce the use of collage by artists of historic movements such as Dada, Surrealism, Outsider Art, Assemblage and Land Art. Course projects encourage you to explore the vast potential of using recycled and found discarded materials such as wood, used books, newspapers, cardboard and fabric to investigate new conceptual possibilities through juxtaposing images, materials and ideas.

Type

Live Online Access classroom-style interactive learning from anywhere in the world! Attend scheduled online sessions with your instructor and classmates in addition to completing your coursework. Live Online format allows you to take classes from anywhere with an internet connection. Classroom sections will be taught in this format through Fall 2020.

Many schools are now awarding transfer credit for online coursework, including health and sciences programs. Check with your institution before enrolling.

Days Thursdays

Time 6:30PM to 9:30PM Pacific Time

Dates Sep 17, 2020 to Nov 19, 2020

Approaches to Abstraction in Painting X412.1

Understand the many options possible for making an abstract painting. Explore a variety of approaches, such as improvisational abstraction, geometric abstraction, process-based painting and abstraction based on mark making. The instructor offers demonstrations of painting techniques and image-illustrated lectures on the history of abstract painting and its current trends. Group discussions and critiques help familiarize you with the vocabulary and concepts involved in analyzing and evaluating abstraction.

Type Live Online Access classroom-style interactive learning from anywhere in the world! Attend scheduled online sessions with your instructor and classmates in addition to completing your coursework. Live Online format allows you to take classes from anywhere with an internet connection. Classroom sections will be taught in this format through Fall 2020.

Days Tuesdays

Time 6:30PM to 9:30PM Pacific Time

Dates Sep 15, 2020 to Dec 01, 2020 S

Francesca Pastine, M.F.A., is a visual artist, curator and art educator who has taught at California College of the Arts, San Francisco Art Institute, City College of San Francisco and Dominican University. She was the recipient of a Pollock Krasner Grant in 2009, a Kala Fellowship in 2011, and the Eureka Fellowship from the The Fleishhacker Foundation in 2014 . Her work has been exhibited nationally and internationally.

Saturday, February 15, 2020

Updated my Website with a new series: NEW YORK TIMES COLLAGES

Thursday, April 11, 2019

NEW WORK 2018 - 2019

My wonderful friend and former student, Judy Doherty , took photos of my NEW WORK!

Wednesday, September 6, 2017

Trestle Art Benefit 2017

If you're in New York this Fall or want to obtain art take a trip to Trestle Art Benefit at our main location at 850 3rd Ave, Suite 411, Brooklyn, 11232, or go on line to view art available. The Trestle Art Benefit an annual fundraiser featuring artworks by local and national artists, silent auction items, and refreshments provided by local businesses. Artworks will be on view in the gallery starting November 13th, and the benefit will take place Wednesday, November 29th 7-9pm. Ticket holders can select their favorite artwork on line.


Wendy White, Maxine (green), 2017; Francesca Pastine, Time and Money #10, 2016; Kate Bae, On Top of the Glacier You Can Feel the Islands From, 2017

Curiosity Installation at Eleanor Harwood Gallery, 2017

Monday, June 26, 2017

CUT UP | CUT OUT Opens at the Bellevue Arts Museum

Join us for an exclusive preview of the transformational exhibition Cut Up/Cut Out.

Cut Up/ Cut Out features national and international artists who explore the captivating methods of decorative piercing and cutting.

Francesca Pastine, ArtForum 50, Hindsight, 2015
ARTFORUM magazine, Plexiglas, screws

Cut Up/Cut Out

2017-2020 National Tour

Cut Up/Cut Out features approximately 100, 2-D and 3-D works by a dynamic roster of national and international artists who explore the practice of “cutting” in various ways – from cut paper to plastic to metal.
The art of cutting paper dates back thousands of years, with early artworks coming from 6^th Century China. The artists of Cut Up/Cut Out explore the many methods of decorative piercing and cutting, but extend their media to include paper, cloth, metal, wood, rubber and much more. The transformative nature of cutting into and through a surface provides endless possibilities for converting the material from opaque to transparent, from flat to sculptural, from rigid to delicate, and from ordinary to exquisite. The artist might retain the plane of the surface and incise it to create lace-like imagery, or use thousands of intricately cut pieces to build a sculptural object or atmosphere. The process and precision required for this method of art-making is laborious, technically demanding, and always astonishing.

artists include:

James Allen, Ana Bidart, Lucrezia Bieler, Tord Boontje, Nathalie Boutté, Claire Brewster, Robert Brinker, Rogan Brown, Sarah Burgess, Michael Buscemi, Charles Clary, Adriane Colburn, Wim Delvoye, Lorenzo Durán, Mounir Fatmi, Hillary Waters Fayle, Adam Feibelman, Carmen Lomas Garza, Margaret Griffith, Mayumi Hamanaka, Adriene Heloise, Meg Hitchcock, Justine Khamara, Kyong Ae Kim, Will Kurtz, Lauren Kussro, Cal Lane, Bovey Lee, Simone Lourenço, Karen Margolis, Chris Natrop, Amy Oates, Francesca Pastine, Irène Pijoan, Nikki Rosato, Donna Ruff, Rob Ryan, Lyndi Sales, Gabriel Schama, Brian Singer, Andy Singleton, Xin Song, Jen Stark, Janna Syvänoja, Yuken Teruya, Kako Ueda, Annie Vought, Mark Wagner, Maude White, Barbara Wildenboer, Ty Zemelsky

exhibition schedule

Bellevue Arts Museum, WA
June 30 - October 22, 2017
Huntsville Museum of Art, AL
November 19 - February 11, 2018
Pensacola Museum of Art, FL
March 2 - June 17, 2018
Ellen Noel Art Museum, TX
July 19 - October 14, 2018
Foosaner Art Museum at the Florida Institute of Technology, FL
November 10 - February 3, 2019
Leigh Yawkey Woodson Art Museum, WI
March 2 - May 26, 2019
Amarillo Museum of Art
July 6 - September 15, 2019
Art Museum of West Virginia University, WV
October 12 - September 8, 2019
image: Margaret Griffith, Coringa, 2012, hand cut paper, 114 x 48 x 46 inches

Friday, February 3, 2017

CURIOSITY: Visual Art Source Review

I'm very excited to share with you critic DeWitt Cheng's thoughtful review in Visual Art Source in response to my exhibition Curiosity at Eleanor Harwood Gallery.

Monday, January 30, 2017

CURIOSITY | New Work by Francesca Pastine at Eleanor Harwood Gallery

Mel Prest, a Bay Area artist/curator made an impromptu video of me talking about two works: The Astronaut and Solaris after Tarkovsky, which are in my show, Curiosity, at Eleanor Harwood Gallery.
Please excuse the alarm that goes off at the beginning of the video.

Friday, January 6, 2017

CURIOSITY at Eleanor Harwood Gallery

C U R I O S I T Y

Opens January 7 from 6 to 8pm

Eleanor Harwood Gallery
1275 Minnesota Street, Suite 206
San Francisco, CA 94107

Tuesday 1-5:00pm
Wednesday – Saturday 11am-5:00pm
& by appointment
*First Saturday of every month, open until 8pm

Wednesday, September 21, 2016

Please Join me at Eleanor Harwood Gallery Saturday for CURIOSITY

CURIOSITY

January 7 - February 25, 2017

Opening reception: Saturday,
January 7 from 6 - 8pm

E leanor Harwood Gallery
1275 Minnesota Street, Suite 206
San Francisco, CA 94107

Francesca Pastine strives to evoke the Romantic notion of the artist as explorer navigating vast realms of possibility. Inspired by NASA’s Mars Rover, Curiosity, and its exploration of uncharted territory on Mars, her work offers a contemporary take on the notion of Sublime, a key theme in eighteenth- and nineteenth-century American art. Pastine was drawn to the rover because it is named “Curiosity” and she believes that being curious is an essential element of being an artist. Like the Mars Rover, the artist as explorer seeks to go beyond her limits and to make visible the vast landscape of her imagination.

Pastine probes the potential of material and its transformation through chance and discovery. The unpredictability of the watercolor medium allows for inspired accidents; her sculpture is informed by unexpected juxtaposition and unique contradictions. The paintings appear as otherworldly landscapes and employ visual voids and veils to represent sites of artistic ferment, the imagination, and revelation. The sculptures represent vessels and, like the rover, are of a crudeness that belies the sophistication essential for the exploration of unmapped terrain.

I am happy to be included in cut Up/cut Out at the Bedford Gallery. The exhibit opens Sunday, December 18 from 3 to 5pm

ARTFORUM MASK SERIES, Francesca Pastine

December 18 - March 5, 2017

Organized by the Bedford Gallery and will travel nationally.

This winter the Bedford Gallery presents Cut Up/Cut Out, an exhibition of local, national, and international artists who explore the captivating methods of decorative piercing and cutting, using a wide range of media from paper and plastic to metal and rubber. The transformative nature of cutting into and through a surface provides endless possibilities for converting the material from opaque to transparent, from flat to sculptural, from rigid to delicate, and from ordinary to exquisite. The process and precision required for this method of art-making is laborious, technically demanding, and always astonishing. Organized by the Bedford Gallery, Cut Up/Cut Out will travel nationally through 2020.
The art of cutting paper dates back thousands of years, with early artworks coming from 6^th century China. Originally a decorative handcraft for women, Chinese paper-cutting eventually expanded into rural areas, becoming a staple at religious ceremonies and festivals. By the 14^th century, paper-cutting spread to the rest of the world bringing in a new wave of folk art traditions. Cut Up/Cut Out honors both innovation and tradition with a selection of over 50 artists representing diverse styles and techniques.

BEDFORD gallery Lesher Center for the Arts • 1601 Civic Dr. Walnut Creek, CA 94596 925/295-1417 •galleryinfo@bedfordgallery.or

PAPER PUSHERS AT TRESTLE GALLERY

PAPER PUSHERS
TRESTLE GALLERY IN BROOKLYN
Guest Curated by Rob de Oude & Mel Prest

Opening Reception: Friday, September 23, 7-9pm
On View through November 4th.TRESTLE GALLERY

Participating Artists:
Sarah Bednarek
Hedwig Brouckaert
Joan Grubin
Nils Karsten
Paul Loughney
Francesca Pastine
Zachary Royer Scholz
Viviane Rombaldi Seppey
Oriane Stender
Lawrence Swan

     Taking a two-pronged approach toward the use of paper, this exhibition brings together works that are composed of re-purposed materials, applied in a rhythmic and serial manner. On one hand the works share the choice of materials and on the other hand introduces a shared esthetic. In transforming the properties of the material the artists are employing a sculptural and/or reductive approach to the possibilities of working with paper.
     By cutting, folding, weaving, bending, collage-ing and sewing these artists explore the diverse properties and applications of paper while moving away from utilizing it’s illusionistic aspects. The manifold possibilities of paper, combined with its humble nature, make it the preferred material for a democratic and direct approach as an artist medium.

TRESTLE GALLERY
168 7th Street, 3rd Floor
Brooklyn, NY 11215
Contact: [718] 858 9069
trestle@brooklynartspace.org
www.trestlegallery.org
M W F 1:30-6:30pm
& by appointment
Buzz 35 to enter building

Wednesday, August 3, 2016

Metamorphic: Collage in the Dada/Surrealist Tradition

Metamorphic: Collage in the Dada/Surrealist Tradition
curated by DeWitt Cheng

July 16 - September 16, 2016
Reception: August 4, from 4:30 to 7:00pm

STANFORD ART SPACES

Artists: Jenny Honnert Abell, John Hundt, Catie O’Leary, Sherry Parker, Francesca Pastine and Vanessa Woods

Please see our Facebook page for directions and parking locations.

Time and Money #11 (detail), Time and Money Series, 2016, wood, plexiglass, New York Times pages, Mylar, 22" x 11" x 2.5"

Saturday, September 12, 2015

UNHINGE Book Art on the Cutting Edge

I'm happy to be included in UNHINGED Book Art on the Cutting Edge, at the Watcom Museum in Bellingham, WA.

Erosion, Artforum Excavation Series

UNHINGED Book Art on the Cutting Edge
SEPTEMBER 27. 2015 - JANUARY 2, 2016
WATCOM MUSUEM
121 Prospect Street | Bellingham, WA 98225 US

Tuesday, August 4, 2015

Portfolio of Images featured in Art Practical Article

I was pleased that Art Practical used images of my work for this insightful history of ARTFORUM magazine by Gwen Allen. Click on link below to read the article.

"Read about it in Artforum!

By Gwen Allen May 27, 2015 Accompanying this article is a portfolio of images from artist Francesca Pastine, courtesy of the artist and Eleanor Harwood Gallery, San Francisco."

Saturday, May 30, 2015

Work Featured in Top 10 Amazing Magazine.

I'm happy to have my work is featured in the Top 10 Amazing Magazine

Saturday, March 7, 2015

art on paper review

Happy to be mentioned in Hyperallergic's article on the art on paper fair

Art on Paper Joins the Armory Week Fold

by Allison Meier on March 6, 2015

Puppets by Wayne White at Art on Paper, which were part of the 2014 ‘FOE’ installation at York College; cardboard, wood, and acrylic paint. Joshua Liner Gallery, New York. (all photos by the author for Hyperallergic)

Despite Art on Paper‘s name, the work on view at the first-time Armory Week fair includes as many different materials as at any other fair, with art created on paper and art inspired by paper on view.

Exterior of Art on Paper at Pier 36, with a banner of a rabbit drawing by Dave Eggers at left. (click to enlarge)

The fair has a fantastic showpiece installation in the form of Wayne White‘s colossal cardboard cowboys, one of which towers just inside the main entrance at Pier 36 on the East River. They were originally on view at York College of Pennsylvania last year as giant puppets. Also greeting visitors is a giant banner of a rabbit drawn by Dave Eggers on the exterior of the pier — the author is showing his illustrations with San Francisco gallery Electric Works — and an indoor installation of giant paper airplanes by Michael Scoggins, who has more oversized, elementary school-inspired notebook paperwork with New York’s Freight + Volume.
Perhaps a little ironically for a fair about art that celebrates paper, quite a few artists on view destroyed paper objects — namely books — to make their work. Most of it is well-crafted, however. Francesca Pastine‘s mask made from an issue of Artforum, the X-Acto blades dangling like necklaces, is on view with San Francisco’s Eleanor Harwood Gallery, and Brian Dettmer‘s tower of sliced hardcovers reveals a collage of encyclopedia images in the booth of New York’s Jayne H. Baum Gallery.
While the major art cities of the US coasts are well represented at the fair, there are also galleries from Paris, Vienna, Baltimore, Toronto, and elsewhere that don’t often show in New York present. Art on Paper was launched by Art Market Productions, which runs other fairs around the United States like Miami Project, Texas Contemporary, and Seattle Art Fair. If it sticks around for another year, it has the potential to fold some new regional flavor into the Armory Week fair frenzy.

Francesca Pastine, “ARTFORUM 53, Mgulu Rgulu, Mask Series” (2014), cut Artforum magazine, plexiglas, wood, screws strings, x-acto blades. To the left is an ink on paper work by Paul Wackers. Eleanor Harwood Gallery, San Francisco.

Michael Scoggins, “Dogfight” (2014), paper planes; presented by Freight + Volume, New York

Art by Michael Scoggins, graphite and pencil on paper; Freight + Volume, New York

Detail of Brian Dettmer’s “New Standards” (2015), hardcover books, acrylic varnish; Jayne H. Baum Gallery, New York

Nathalia Edenmont, “Growing Up” (2012), c-print mounted on glass; Nancy Hoffman Gallery, New York

Art by Federico Uribe made from books. Adelson Galleries, New York.

Carolle Bénitah, “Le déguisement” (“The disguise”) (2009), archival pigment print with silk thread; Sous les Étoiles Gallery, New York

Melanie Pullen, “Ghosts (The Haunted Series)” (2015), ink on paper; Jenkins Johnson Gallery, San Francisco/New York

Sheridan Jones, “Coracus”; Rebecca Hossack Gallery, New York

Eva Jospin, “Untitled” (2015), cut paper; LN Gallery, Paris

Photographs by Adam Katseff; Sasha Wolf Gallery, New York

Art by Katherine Bradford; Richard Levy Gallery, Albuquerque

Detail of Diana Guerrero-Maciá, “Siblings of the Sun” (2015), series of 10 cut latex enamel & paper collage. Traywick Contemporary, Berkeley, California.